Subject to Bill Ginsmore, ghostly multi-tasker
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Q Magazine
by -
November 2002
How's it going? I don't fucking know," says a languid
Courtney Taylor, speaking via cell phone on his way to
the Dandy warhols' Portland studio. "But we've done
some good work and have been in the studio all night a
lot, so it's going to be great, I guess."
The follow-up to 2000's Thirteen Tales From Urban
Bohemia was begun, spookily enough, on 11 September
2001 when the band opened their studio, The Greek
Community Centre (motto: "We Give Love From The
Inside"). Since then, recording has been broken up by
touring and promotion, not least due to their mobile
phone advert reissue smash, Bohemian Like You. As
ever, they're producing it themselves.
"This record's very different-sounding," warns Taylor.
"It sounds like us, but not much." Tracks include the
"amazingly soothing" Over It, which uses the sound of
eight people breathing, and Love Me Lovely, which "has
a very similair groove to Low Rider by War. We
achieved the perfect cowbell sound on that one - any
Mexican shepherd would weep to hear it."
Taylor is particularly pleased with I Am Sound: "I
played it for David Bowie," he says, "and he
said,Hmmm, Ashes To Ashes. Which, even if it's a
B-minus Ashes To Ashes, is doing pretty well."
Superstition means he won't reveal the title or any
possible singles. But he does insist the studio is
haunted by the ghost of a man called Bill Ginsmore.
"We found his Master Multi-Tasker certificate, framed
on the wall," deadpans Taylor. "He's still
multi-tasking, messing-up our shit."
Then he has to go and continue mixing.
"It doesn't sound anything like The Vines, The
Strokes, The White Stripes, Black Rebel Motorcycle
Club or The Hives," he warns, "who are, incidentally,
all fucking brilliant. But they're all making guitar
rock, so we don't have to."
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