Class A Act
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Sydney Morning Herald(Australia)
by Matt Frilingos
July 25, 2003
Thanks to the scurrilous British press, Zia McCabe will not be taking
her top off during the Dandy Warhols' current tour. In the band's
early days, McCabe, playing keyboards onstage, would often be
overcome with a sudden urge to remove her T-shirt - an urge she made
no attempt to combat.
"The British press kind of wrecked it," she says from her hometown of
Portland. "They made it like such a big deal. Like it was this
schtick I came up with and they were trying to work out if I was like
a voyeurist or a feminist or an exhibitionist. I was just having fun.
It was like when I used to go see Green Day or the Cramps, I'd
sometimes take my top off and jump around in the mosh pit.
"But then it wasn't fun anymore, because it wasn't spontaneous. I'd
start thinking about what everyone is expecting and who's looking.
You can thank the British press for f---ing it up for everybody." The
band has discovered that continuing to act as a bunch of freewheeling
hippies while in the public eye comes with some unwanted side
effects. To McCabe's chagrin, when the British press overcame its
fascination with her breasts, its next obsession was the band's drug
habits.
"As a band, we're pretty honest," she says. "We don't care if people
know we experimented with drugs, so we love telling stories about our
experiences - but they blow it out of proportion.
"They started inhibiting what we were expressing. But they got bored
of it on their own. We weathered the storm and kept being ourselves."
The band describe themselves as hippies, but they are not ashamed to
admit to having banked large cheques for licensing their songs for
use in ads by companies including Nike and Vodafone. In Australia,
their recent single, We Used to Be Friends, came with a sticker which
read: "As Heard on the Holden Astra TV Ad."
"Do we see ourselves as sell-outs?" says McCabe. "I wouldn't feel
comfortable using our music for Exxon Valdez or for prescription drug
companies. But if it's cell phones or tampons or curling irons, it
doesn't bother me. It's a really good way to get our music out there.
"Actually, I can't believe no sleeping pill companies have asked us
to use [last album's] Sleep - with the lyric "If I could sleep
forever" - for one of their commercials. Maybe it sounds like someone
would want to OD on their pills."
Besides, says McCabe, the band's namesake, Andy Warhol, was "fully
commercial. He didn't mind at all. I don't know why people have such
a problem with it. I understand if they don't want to be part of the
corporate world, but really, in today's world it's inevitable.
"At a certain level all the corporations are f---ed, and Vodafone
probably doesn't do enough recycling or whatever, but it's not in
trouble for doing horrible things."
If the band want to spruik for advertising offers for songs from
their new album, Welcome to the Monkey House, they might consider
targeting leg warmer and shoulder-pad makers. The album's credits
list sounds like a Who's Who of early '80s pop: writing and co-
production by Duran Duran keyboardist Nick Rhodes, backing vocals by
Duran Duran's singer Simon Le Bon and rhythm guitar by Chic's Nile
Rodgers.
Still, McCabe claims, the band did not set out to produce a revamped
relic of the '80s.
"It didn't seem like that's what we were going for when we started,"
she says. "We wanted to make the low end sound like Dr Dre and make
the rest stand on its own without a wall of sound. But we ended up
with a lot of keyboards in the low end, which means it ends up
getting called '80s.
"Courtney [Taylor-Taylor, the band's vocalist and songwriter]
realised everyone was doing a Gary Numan type thing and trying to
sound like Eurotrash and he realised there was this whole Nick Rhodes
and Planet Earth keyboards sound we could go for - and if we were
going to do it it was better to go to the source."
McCabe says the band was happy to seek counsel from Nick Rhodes on
his pioneering contributions to glam rock, but they have no intention
of borrowing from his wardrobe and make-up cabinet.
"We like to check out different styles, but we always come back to
being scumbags. We prefer to have dirt under our fingernails and
clothes with holes. We're actually just a bunch of hippies that play
dress-up."
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